about slothtrop music

Slothtrop Music was founded in 1995 to promote and nurture independent musicians. By all accounts we've succeeded. Since then we've expanded to four divisions (Records, Publishing, Management & Consulting) and helped hundreds of artists while at the same time putting out some pretty great music. Take a look around, we're sure you'll find something you'll love!

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Jeff German & The Blankety Blanks – 12 Rounds

“I never set out to write a certain type of song. The songs usually strangle me until I get them right,” says Columbus, OH-based singer-songwriter Jeff German. 12 Rounds, his first solo release, is evidence that German had many close calls at the hands of his own songs. German was a member of quintessential Ohio band The Cur Dogs and works often as a studio musician in the Midwest and as a supporting musician for numerous acts such as Bloodshot Record’s Lydia Loveless. Though the album is straight-up “blue collar rock,” it is built on a variety of influences. With equal parts of The Clash, The Damned, The Jam, Gene Vincent and Eddie Cochran, 12 rounds is a knockout.

Marty Finkel – It's Alight Now

If you found a wormhole linking Elliott Smith's Pacific Northwest, NRBQ's Austin Tx, and Rufus Wainwright's New York City but could only access it from just across the Illinois state line. You'd probably find Marty Finkel's new CD "It's Alright Now" at the nearest record store. While that may seem like a lot for record to live up to, trust us it just works. Recorded to reflect the real sound of a real songwriter and his band , we're proud to present Marty's new record, warts and all. Genuine rock-n-roll from the genuine article.

Dan Kennedy – Seems Like Forever

"Seems Like Forever," Dan Kennedy's second solo release on Slothtrop, is an eclectic continuation of the panoptic pop featured in his collaborations with winsome singer-songwriter Amy Curl, the songs now tinged with blues, soul, and jazz. Influences break the surface constantly—a bit of Robert Cray here, a little Lyle Lovett there, maybe a touch of Los Lobos if you listen carefully—but they're always tempered with his own voice. "I often try to write for other performers," says Dan, "but it usually comes out sounding like me in the end."